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Malthouse Theatre at The CUB Malthouse

Eldorado

JUNE 10 – JULY 2

 

By Marius von Mayenburg

Translated by Maja Zade

Direction Benedict Andrews

With Gillian Jones, Robert Menzies, Hamish Michael, Bojana Novakovic, Greg Stone and Alison Whyte

Set and Costume Design Anna Tregloan

Lighting Design Paul Jackson

Composition and Sound Design Max Lyandvert

 

Set in an unnamed, half-destroyed city where every ruin is speculated for its market value, Eldorado reveals a metropolis decayed to the core. In this raven black fable a man tells a single lie and risks everything he loves and believes in. As his life crumbles, so too do

the foundations of an external world built on mythical visions of gold sinking fast into history’s bloody catacombes.

 

Marius von Mayenburg exploded out of Berlin’s Schaubuhne Theater and onto the Australian stage with Fireface, a sell-out production for the 2001 Sydney Festival, directed by multi-award winning Benedict Andrews. After numerous projects together in Berlin, Malthouse Theatre reunites writer

and director for their Melbourne debut, the English language premiere of von Mayenburg’s baroque dystopia featuring an unforgettable cast.

 

At the forefront of a new, international theatre, von Mayenburg writes with an anatomist’s precision, a coroner’s efficiency and the humour of an undertaker about the inseparable nature of our private and public lives.

 

“Benedict Andrews is one of the original imaginations of Australian Theatre… in an artform that needs to be both popular and pragmatic, Benedict manages to remain that rare thing: a poet” Neil Armfield’s citation for Benedict Andrews on being awarded the 2005 Individual Prize of the Sidney Myer Performing Arts Awards

 



The Session

JUNE 14 – JUNE 25

 

Written and performed by The Ennio Morricone Experience: Patrick Cronin, Graeme Leak, Boris Conley and David Hewitt

With Steph O’Hara and Stephen Taberner

Direction Barry Laing

Lighting Design Gina Gascoigne

Sound Design Steph O’Hara

Set and Costume Consultant Emily Barrie

Sound Design Consultant Kelvin Gedye

 

Over the last five years, The Ennio Morricone Experience has won a huge following, locally and internationally, for their unique take on Morricone’s Spaghetti Western film music. Malthouse Theatre is

proud to co-present the premiere season of the ensemble’s new theatre work, The Session.

 

Five musicians and a recording engineer are physically trapped in a sound recording studio. Like a live Masterclass documentary about the creation of a sound score to an unseen film, they work against the clock to create the ultimate master take. The Session reveals the often bizarre idiosyncrasies and sublime performance synergies of a session musician’s world.

 

Created and performed by The Ennios and directed by Barry Laing (Telefunken), The Session is a unique theatrical event by one of Australia’s most loved performing ensembles.

 

“That the musicians perform…with the gravity of a Mozart symphony only serves to make The Ennio Morricone Experience all the funnier.” The Guardian, UK

 

The Ennios create brilliant musical arrangements… with musical standards of the highest order.” The Age

 



La Douleur

JUNE 29 – JULY 23

 

After the story by Marguerite Duras

Translated by Barbara Bray

Adapted by Laurence Strangio

in collaboration with Caroline Lee

Direction Laurence Strangio

Performed by Caroline Lee

 

Following the runaway success of Caroline Lee and Laurence Strangio’s adaptation of Margaret Atwood’s Alias Grace, Malthouse

Theatre is delighted to reprise their production of La Douleur, Marguerite Duras’ mesmerising portrait of wartime France after the reprieve.

 

The torment which informs the novel, La Douleur, was the capture and imprisonment of Duras’ husband by the Gestapo. Against all odds, he survived periods in Buchenwald,

Gandersheim and Dachau. The nameless woman at the centre of this heart-shattering

elegy - played with uncanny immediacy and emotional intelligence by Lee - is confined to a purgatory of anticipation.

 

As she waits for news of her husband’s death in the trenches, she grows even more terrified of the hope that he might yet live. She is defined by this waiting, paralysed by the threat of hope.

 

With a climax that is both shocking and life-affirming, La Douleur is a testament to a love that goes beyond passion to encompass the very soul of fraternite.

 

La Douleur is another outstanding collaborative dramatisation from Strangio and Lee.” The Age